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    沉痛悼念黄专先生
    2016年04月14日
     

     

     讣告 

     

    艺术史学家及批评家、OCAT深圳馆和OCAT研究中心执行馆长、广州美术学院教授黄专先生于2016年4月13日晚8时29分在广州病逝,享年58岁。

     

    现向各界的关怀和慰问,致以由衷感激。经家属同意,OCAT代为接收各界朋友的悼念和问候(邮箱:jnhz@ocat.org.cn)。并尊重黄专先生的遗愿,不举办追悼会、告别仪式或任何形式的活动。

     

    谨启

     

    OCAT

    2016年4月14日

     


     

     Obituary 

     

    Mr. Huang Zhuan, renowned art historian, critic and curator, executive director of OCAT Shenzhen and OCAT Institute, professor of Guangzhou Acmdemy of Fine Arts, passed away at 8:29 pm on April 13th, 2016 in Guangzhou, at the age of 58. With his family member’s approval, OCAT is now announcing the departure and receiving consolation and condolences from friends of all fields on behalf of his family (please mail to: jnhz@ocat.org.cn). We would like to express our sincere gratitude for all the consideration and condolences. We would also respect Mr. Huang's wish which is to hold no forms of memorial service or farewell ceremony.

     

     

    Respectfully yours

     

    OCAT

    April 14, 2016



     

     黄专 

     

    中国著名艺术史家、艺术评论家、策展人。OCAT深圳馆和OCAT研究中心执行馆长,广州美术学院教授、硕士生导师。

     

    黄专教授于1958年出生,祖籍湖南。1982年毕业于华中师范大学历史系;1988年毕业于湖北美术学院中国美术史专业,获文学硕士。曾获“吴作人国际艺术基金会硕士论文奖”。

     

    黄专教授于1985至1987年参与编辑《美术思潮》杂志;1992年参与策划“首届九十年代广州双年展”(中国广州);1994-1996年参与改版《画廊》杂志;1997年起任何香凝美术馆馆聘研究员、策划人;2005年起任何香凝美术馆OCT当代艺术中心主任;何香凝美术馆艺术指导委员会成员之一;2012年起任OCAT深圳馆和OCAT研究中心执行馆长;担任2016年第十届AAC艺术中国评审委员会轮值主席。

     

    作为艺术史家,黄专教授的艺术研究涉及古代和当代两部分。他与严善錞共同撰写了三部重要著作,包括《当代艺术问题》(1992年,四川美术出版社)、《文人画的图式、趣味与价值》(1993年,上海书画出版社)和《潘天寿》(1998年,天津杨柳青出版社)。2005年开始着手当代艺术家个案系列的研究,并出版“展览学术丛书”(岭南美术出版社。另外黄专教授还出版了个人当代艺术评论文集《艺术世界中的思想与行动》(2010年北京大学出版社)和《当代艺术中的政治与神学:论王广义》(2013,中国青年出版社);2014年起主编《世界3》艺术史理论书系,2015年起担任“何香凝美术馆-艺术史名著译丛”学术策划(商务印书馆)。

     

    作为策展人,黄专教授重要的策展和主持的学术项目包括:1996年“首届当代艺术学术邀请展”、1998年“首届何香凝美术馆学术论坛”、1999年“超越未来:第三届亚太地区当代艺术三年展(中国部分)”、1999年“第二届深圳当代雕塑艺术展”、2000年“社会:上河美术馆第二届学术邀请展”、2001年主持策划“城市俚语:珠江三角洲的当代艺术展”和“被移植的现场:第四届深圳当代雕塑艺术展”、2002年“重新解读:首届广州三年展”、主持策划“图像就是力量:王广义/张晓刚/方力均的艺术展”、2004年策划深圳地铁华侨城段壁画工程;2005年“第二届何香凝美术馆学术论坛”、“‘柏拉图’和它的七种精灵”展、“文化翻译:谷文达《碑林-唐诗后著》”大型个展、2006年“亚洲交通:视觉隧道国际当代艺术展”、“创造历史:中国20世纪80年代现代艺术纪念展”、2007年“第三届何香凝美术馆学术论坛――中国当代艺术生态考察”、“气韵——中国抽象艺术国际巡回展”、2008年“征兆——汪建伟大型剧场作品展”、“视觉政治学:另一个王广义”、“静音:张培力个展”、2012年“自在之物:乌托邦、波普与个人神学——王广义艺术回顾展”(2012 年,中国北京);主持策划的“上海浦江华侨城十年公共艺术计划”包括 2007年“点穴:隋建国艺术展”、2008年“征兆——汪建伟大型剧场作品展”、2009年“对视:林天苗艺术展”、2010年“中园(CHINA PARK):一种独特的中国生态乌托邦”、2011年“无所遁形:爱德文·斯瓦克曼-刘建华对话展”、2012年“王广义:冷战美学”、2013年“重要的不是合同——徐震”、2014年“姜杰:大于一顿半”、2015年“展望:暂时什么都不是”,等等。

     Huang Zhuan 

     

    Renowned art historian, critic and curator, executive director of OCAT Shenzhen and OCAT Institute (Beijing), professor of Guangzhou Academy of Fine Arts

     

     

    Born in 1958, Huang became a graduate of the department of history at Central China Normal University in 1982 and acquired his Master’s degree in the history of Chinese art at Hubei Institute of Fine Arts (HIFA) in 1988. He was also awarded for his MA thesis by the Wu Zuoren International Art Foundation of Fine Arts. 

     

     

    Huang worked on the editorial team of magazine Meishu sichao (the Trend of Art Thought) from 1985 to 1987 and the curator team of the 1st Guangzhou Biennial in 1992. From 1994 to 1996, he worked as an editor of magazine Hualang (Art Gallery). Huang became the researcher and curator of He Xiangning Art Museum in 1997 and the director of OCT Contemporary Art Terminal as well as the member of Artistic Advisory Committee of He Xiangning Art Museum in 2005. In the year of 2012, Huang was appointed as the executive director of OCAT Shenzhen and OCAT Insititue. He was also the president of Award of Art China (AAC) Selection Committee (2016).

     

    As an art historian, Huang was dedicated to studies of art history.  He co-published three prominent books with Yan Shanchun: Dang dai yi shu wen ti (Questions of Contemporary Art) (1992), Wen ren hua de tu shi, qu wei yu jia zhi (Pattern,Taste and Value of Literati Painting) (1993) and Pan Tianshou (1998). In 2005 Huang started the “Case Studies in Chinese Contemporary Art” series and published the collection of Exhibition and Theory. He worked as the chief editor of World 3 Journal (2014) and organized the publication of the renditions of art history and theory (He Xiangning Art Museum). Huang’s published books also included Thought and Action in the Art World (2010) and Politics and Theology in Chinese Contemporary Art: Reflections on the Work of Wang Guangyi, (2013).

     

     

    As a curator, Huang curated and organized prominent projects including the 1st Academic Exhibition of Chinese Contemporary Art 96-97 (1996), the 1st Academic Forum of He Xiangning Art Museum (1998), “Beyond the Future: the 3rd Asia-Pacific Triennial of Contemporary Art (China)” (1999), the 2nd Shenzhen Contemporary Sculpture Exhibition (1999), “Society: the 2nd Academic Exhibition Upriver Gallery” (2000), “City Slang Chinese Contemporary Art From Zhujiang River-Delta” (2001), “Transplantation in Situ: the 4th Shenzhen Contemporary Sculpture Exhibition” (2001), “Reinterpretation : the 1st Guangzhou Triennial” (2002), “Image is Power: the Art of Wang Guangyi, Zhang Xiaogang and Fang Lijun” (2002), Shenzhen OCT Subway Murals Project (2004), the 2nd Academic Forum of He Xiangning Art Museum (2005), “Plato and His Seven Spirits” (2005), “Translating Visuality Gu Wenda: Forest of Steles, Post Tang-dynasty Poetry” (2005), “Asian Traffic Shenzhen: Visual Tunnel” (2006), “Creating History: Commemorative Exhibition of Chinese Modern Art in the 1980s” (2006), the 3rd Academic Forum of He Xiangning Art Museum (2007), “Qi Yun: the International Round Exhibition of Eight Artists’ Chinese Abstract Art” (2007), “Symptom: A Large Stage Work by Wang Jianwei ”(2008), “Visual Polity: Another Wang Guangyi” (2008), “Mute: Zhang Peili’s Solo Exhibition” (2008), “State Legacy: Research in the Visualization of Political History” (2009, Manchester, UK and Shenzhen, China), “Possible Vocabulary Games: Xu Tan Language Workshop” (2011), “'Thing-in-Itself:' Utopia, Popand Personal Mythology – Wang Guangyi Retrospective Exhibition” (2012, Beijing), Shanghai Pujiang Overseas Chinese Town Public Art Project (OCT-PAP) (2007-2015) amongst many others.

     

     




 

 
 
 

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