开幕式 2011年7月9日17:00
展期 2011年7月9日～8月5日
讲座 2011年7月9日14:00
演讲嘉宾
保罗·戴维斯Paul Davis（图钉工作室代表人物)
Myrna Davis（ADC纽约艺术指导俱乐部前执行总监)
北沢永志（日本GGG艺廊馆长，介绍东京ADC、TDC)
图钉设计工作室是20世纪最具影响的设计组合之一。可以毫不夸张地说：披头士改变了音乐的性质，图钉设计工作室改变了插图与设计的性质。由西蒙·切瓦斯特（Symour Chwast）、米尔顿·格拉塞（Milton Glaser）及其他来自库珀联合（Cooper Union）艺术学校的学生创建于1950年代的这一组合迅即成名，将图钉设计工作室现象之火燎原于世界。
这次展览的关键词是"paradigm" – 一种理论的框架所界定的某一时期的世界观。展览所精心选择的约200件海报、原作、杂志与书籍，着眼于4位图钉设计工作室的主要成员是如何受自身工作室的影响，而在离开工作室后每个成员各自的人生路径。
展品的核心来自与纽约设计的黄金时代 —1960左右。这个时代，创新的暴风狂吹世界，这是一个现代性的概念与所确立的文化相互质疑的时代。半个世纪之后，这个展览提供了见证超越时代的伟大设计的机会。
Push Pin Studio was one of the twentieth century's most influential design groups. It is no exaggeration to say that if the Beatles changed the nature of music, Push Pin Studio changed the nature of illustration and design. Established in the 1950s by Seymour Chwast, Milton Glaser and other students from the Cooper Union School of Art, the group immediately made a name for itself, sparking the Push Pin phenomenon that swept across the world.
The key word for this exhibition is "paradigm" – a theoretical framework prescribing the worldview of a certain time. Bringing together roughly 200 carefully selected posters, original artwork, magazines and books, the show looks at how the four main members of Push Pin Studio were influenced by the studio itself, and the paths each followed after they went their separate ways.
The core of the exhibit comes from the golden age of New York design, around the 1960s. As a storm of innovation raged around the world, it was a time when the concept of modernity and the culture of the establishment were vigorously questioned. Half a century later, this exhibition offers an opportunity to witness great design that transcends time.
